WITH 90.1 FM

Felix Contreras

This is an Encore presentation of Alt.Latino.

Even better the second time!

Enjoy.

This week on Alt.Latino, we venture into a long-running conversation about remixing classic recordings. Along the way, we feature a new album released by Fania Records called Calentura, in which the label sent a handful of DJs and producers a treasure trove of original masters from the Golden Age of the brash and innovative Afro-Caribbean music known as salsa.

I can already hear some of you reacting to the concept:

The presence of accordion-powered European dance music along the Texas/Mexico border is a phenomenon only about a hundred years old, forged as twists of historical fate made Tejanos and Polish farmers neighbors in the region's rural communities. One thing led to another, and soon Mexican-Americans were singing Spanish lyrics over the oompah of polkas and Bavarian waltzes. But despite its short history, Tex-Mex conjunto has made a profound cultural impact and become an identifying characteristic of an entire subculture of the Latino community here in the U.S.

When someone once asked Nando Chang if he was into Tupac, the Peruvian American hip-hop fan thought the reference was to Tupac Amaru, a legendary Incan warrior.

Updated 3:21 p.m., April 27 with more detailed information on Charles Neville's passing.

When I first heard ÌFÉ I was stopped in my tracks. Literally. I pulled the car over and just listened.

I recognized Afro-Cuban drumming and chanting, but it was coming at me with electronic furnishings that made their drums and vocals sound like a futuristic spiritual ceremony.

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