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Sidney Madden

"Thank you for allowing me to be the first black woman to headline Coachella," Beyoncé said toward the end of her headlining set at Coachella Valley Music & Arts Festival last Saturday while glistening with sweat and her waist-length, gold hair flowing in the fan-created breeze. The chart-topping Queen Bey paused for only a moment before scoffing, "Ain't that 'bout a bitch."

Bey's candid acknowledgment of this elephant in the desert simultaneously silenced any doubters and ignited her Beyhive.

MorMor's music is a study of opposites. It soothes by fully basking in uncertainty. "Whatever Comes To Mind," the latest track from the Toronto newcomer balances fear and fulfillment on a feathery, percussive wire.

Just as Coachella Music and Arts Festival sets the bar for every other American music festival of the summer, Beyoncé recurringly sets the bar for every other performer.

A year after postponing her headlining set in 2017 due to pregnancy, Beyoncé treated her return to the stage like a family reunion, homecoming pep rally and a Beyhive-unifying rebel yell before heading into battle.

To start off her two-hour show, Queen Bey evoked the spirit of another member of black royalty, Egyptian Queen Nefertiti, appearing in a custom Balmain gold-crusted cape and headdress.

Content advisory: This song contains explicit language.

Bobby Sessions is here to spread a message with his music, even if he loses his voice in the process. The Dallas-hailing rapper recently inked a deal with Def Jam Recordings and has shared his first official single under the label, "Like Me."

Sabrina Claudio is coyly shaping up to be one of R&B's newest leaders. The rising talent who released two impressive projects in 2017, About Time and Confidently Lost, and is back to build upon her short but consistent discography.

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