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Talia Schlanger

Talia Schlanger is a contributing host and radio producer at World Cafe, produced by WXPN, the public radio service of the University of Pennsylvania. Schlanger joins the World Cafe team straight from CBC, Canada's public broadcaster, where she hosted a triple-A radio show on Saturday and Sunday mornings. She was the on-camera host for two seasons of the CBC television series CBC Music: Backstage Pass, which saw her interview some of Canada's best and brightest artists. Schlanger also hosted several prime-time music TV specials for CBC, including the Quietest Concert Ever: On Fundy's Ocean Floor featuring Serena Ryder, CBC Music SongCamp and the CBCMusic.ca Festival Special 2015. Schlanger served as the the interim host of CBC Radio 2's Canada Live and was a regular guest host on CBC Radio One's flagship artist and culture show q. She also filled in on Canadian current-affairs radio shows including As It Happens, Day 6 and Because News. Some of her favorite music interviews include St. Vincent, Tanya Tagaq, John Fogerty, Barenaked Ladies and Grimes.

Schlanger's first project at CBC was as a producer for CBC Music Presents: The Beetle Roadtrip Sessions, a cross-country rock 'n' roll road trip which won a Canadian Screen Award in 2014. She was also the digital producer for Hockey Night In Canada Song Quest, CBC Music's search for the next great hockey song.

Born and raised in Toronto, Schlanger is a proud alumna of Ryerson's Radio and Television Arts program. She's also a professional actress, singer and voiceover artist. Schlanger spent most of 2012 performing in the first national tour of Green Day's rock opera, American Idiot, at various theatres throughout the United States. (She thought she would be really cool when she met Billie Joe Armstrong after he watched American Idiot. She was not cool at all.) She has also performed on stage with Mirvish Productions' original Canadian company of We Will Rock You, as well as in the ensemble and understudying lead roles in Scaramouche, Oz (Canon Theatre, 2007/2008), and in Mamma Mia! (Royal Alexandra Theatre, 2003/2004).

This Latin Roots session all started when four guys from Los Angeles showed up at our studio looking like, well, four guys from Los Angeles, in track pants, T-shirts and sneakers. They finished sound check and disappeared for a while — and when they came back, it was like somebody'd hit the 1976 button on the time machine. Those four guys returned sporting matching tuxedos with ruffled collars, their two back-up singers in blinding, sparkly dresses. They had morphed into Chicano Batman.

You wanna talk about stories? Kristin Hersh has stories. You might know Hersh as the frontwoman for the innovative late '80s-early '90s alt-rock band Throwing Muses or the hard-rocking power trio 50 Foot Wave. She's also an author — her 2010 memoir Rat Girl was named No. 8 on Rolling Stone's "25 Greatest Rock Memoirs of All Time" list.

Swedish singer-songwriter Jens Lekman's new record is called Life Will See You Now. It feels sort of like going to a tropical roller disco with your therapist — and it comes after a period of colossal frustration that led Lekman to dump an entire truckload of his records in a landfill. As he tells it: "I felt like ... I need to find my way back to finding how to take something bad and make something beautiful, how to pour manure into a espresso machine and have a cappuccino come out."

In this session, we bring you a performance from Tame Impala's touring bassist, Cameron Avery. His debut solo record sounds nothing like what you're used to hearing from him with the band. Instead, picture Dean Martin swooping down to light a cigarette in the back alley behind some lover-laced boudoir, and you've sort of got the idea.

In this session, we're shining a spotlight on two elements that never seem to take center stage: backing musicians and music without words. But trust me, they deserve the limelight. Steelism is a Nashville duo made up of ace guitarist Jeremy Fetzer and pedal-steel player Spencer Cullum Jr.

A couple years ago, rock veteran Alejandro Escovedo and his new wife, Nancy, were on their honeymoon on the coast of Mexico when disaster struck and they were sure they were going to die. It was so bad that they even called their family to say goodbye.

Felony Blues is the name of the new record by Jaime Wyatt. That title is neither a metaphor nor a gimmick — it's lived experience. Wyatt was charged with a felony for robbing a drug dealer and served a sentence in the Los Angeles County Jail. When she got out, she wrote an album based on her own true story — from her crime to doing time and the addiction, depression and shame she had to overcome to even turn her experience into song.

When Sting set out to write his latest record, 57th & 9th, he says he had to "play tricks on [himself] to get the creative juices flowing." He'd step out on to the terrace of his New York apartment in the freezing cold and tell his wife, Trudie Styler, "Don't let me back in until I've finished a lyric." He calls this self-imposed, cold quest "hunting" for the muse, and the fruitful bounty he collected is on full display on 57th & 9th.

Rose Cousins has an arresting voice that gets right under your skin. She hails from Canada's eastern coast, near the Atlantic Ocean. Just like that body of water, her music is spacious, expansive and liquid. Her last full-length album, We Have Made A Spark, came out to rave reviews in 2012 and propelled her into a couple years of constant touring. When that period was over, Cousins was burned out.

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